Best lenses for Olympus E-M10 III

Olympus E-M10 III is a compact, lightweight interchangeable lens camera that packs quite smart specifications inside and its most impressive is 4K recording capability in attainable price range. The 16.1 million pixels of effective resolution that works together with micro four third sensor to produce sharp images. Well, we have already gone though its specification with all its competing DSLRs and Mirrorless cameras currently available around. Now the time to recommend some of the best lenses one can confidently choose for Olympus E-M10 III.

  1. Olympus E-M10 III vs Canon EOS M6
  2. Olympus E-M10 III vs Canon EOS M100

Have a look at the specs of Olympus E-M10 III!

  • 16.1MP Four Thirds Live MOS Sensor
  • Dual Quad-Core TruePic VIII Processor
  • UHD 4K30 Recording; Clips Video Mode
  • 2.36m-Dot 1.23x Electronic Viewfinder
  • 3.0″ 1.04m-Dot Tilting Touchscreen LCD
  • In-Body 5-Axis Image Stabilization
  • 121-Point Contrast-Detect AF System
  • Up to 8.6 fps Shooting and ISO 25600

 Best lenses for Olympus E-M10 III

Standard Zooms

M.Zuiko 12-40mm f/2.8 PRO (Highly recommended)

Highly recommended for those who want to switch from DSLR to Mirrolress. Actually, this high-end standard zoom M. Zuiko 12-40mm was announced back in 2013 to match the Olympus E-M1 and right from then the lens kept doing fabulously well for shooting your desired scene in different locations. The dust-splash- and freeze-proof lens offers a 24-80mm equivalent range. The fixed f/2.8 maximum aperture making the lens a stunning performer in lowlight. However, the lens doesn’t have I.S system but not to worry since e-m10 iii features 5-axis I.S. Moreover, the lens has a L.Fn button whose function can be customized from the camera.

Lumix 12-60mm f/3.5-5.6 (Best value for money)

Specifically designed for MFT cameras is featuring a splash/dust-proof design that offers a versatile 5x zoom range of 24-120mm (35mm camera equivalent) that wonderfully covers various shooting situations from dynamic landscapes to portraits. LUMIX 12-60mm F3.5-5.6 Lens features the highest standards of detail and sharpness. Incorporating an inner focus drive system and a stepping motor,ensuring smooth, silent operation to work with the camera’s high-speed, high-precision contrast AF system for both photo and video recording. It also features 0.54x (35mm camera equiv.) magnification capability for impressive macro close-up shots.

Best Portrait

M.Zuiko 75mm f/1.8

The capability of this lens to provide you tack sharp images even at wide angles, making it the most favorite lens to be used with this MFT E-M10 III. Moving further, the lens ensures you to prevent the images from the effects of chromatic aberration and distortions that generally occur while shooting wide angles are also prevented since the lens was specifically designed to get full control over these kinds of unwanted issue. This 75mm Olympus lens is ideal for capturing brilliant still images and high-definition (HD) videos (Panasonic offers 4k @60fps) implements MSC (Movie & Still Compatible) autofocusing mechanism featuring an inner focus system to drive this single-focal-length lens for fast and quiet focusing.

The photographers who are thinking it to use for Macro shots are objectionable since its macro performance are just below standard. It is obviously a best portrait lens.

Lumix 42.5mm f/1.7 (Affordable)

Panasonic 42.5mm F/1.7 is an affordable standard portrait-length prime lens. One aspherical element is incorporated within the optical design to control spherical aberrations and distortions. The basic reason to hands on this lens is its OIS that greatly helps the camera to take stills and videos. With the Fast f/1.7 maximum aperture one can confidently shoot at lowlight.

Best Zoom lens

Panasonic 35-100MM F2.8

At the maximum aperture F2.8, the lens produces cutting edge sharp images with exceptional detail even in low light situations. You may have experienced Chromatic aberration while using the other lenses, but with this lens you have nothing to worry about because the lens is able to control the CA upto a much extent. While shooting at different focal lengths along with providing you sharp images the lens also suppresses the distortion issue. Moreover, you will be impressed with the fast and quiet AF performance of the lens that produces very little noise. With Panasonic GH5, the 35-100mm ƒ/2.8 lens provides you professional results.

Best Macro

M.Zuiko 60mm f/2.8

M.Zuiko Digital ED 60mm f/2.8 Macro from Olympus is a 120mm equivalent prime for Micro Four Thirds mirrorless cameras. The lens offers a maximum 1:1 magnification and a 7.5″ minimum focusing distance so that one can capture the subjects from far distances with fine details. The lens barrels feature an indicator window with scales for working at 1:1.3, 1:2, and 1:4 magnifications and a Focus Limit Switch, which can be used to constrain the usable focusing range for faster, more controlled performance.

Best Wide Zoom

Olympus 9-18mm f/4-5.6 zoom

M.Zuiko Digital ED 9-18mm f/4-5.6 is a compact wide-angle zoom and is an 18-36mm equivalent lens for Micro Four Thirds mirrorless cameras. This olympus lens incorporates two Dual Super Aspherical elements, along with one high refractive index element and an aspherical element, which work together to spherical aberrations and distortions throughout the zoom range. One extra-low dispersion element has also been implemented into the core of this lens that beautifully suppresses color fringing and chromatic aberrations for stunning clarity and color accuracy.

Best Wide Angle Prime

Rokinon 12mm f/2.0 lens

However, the Rokinon 12mm f/2.0 lens is specifically made for APS-C sensor, providing a 35mm-equivalent focal length of 18mm and a broad 98.9° angle of view so that the architectural, interior, and landscape photographers can get standard quality of images. Its fast f/2.0 maximum aperture ensuring you capture great quality of images in lowlight. The lens offers three extra-low dispersion elements and two aspherical elements to reduce chromatic aberrations and distortions


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